Yes do avoid intensive punch in /out sessions, but do not give up on the use of the punch in utility. this disappearing problem seems to appear only on heavily punched tracks. I still use punch-in a lot. It is very useful for fix ups. When tracks are armed to record, it is impossible to rehearse and monitor the armed track in preparation for recording a take. But if punch in/out is activated you are able to monitor (rehearse) an armed track by pressing only play and then record a performance by engaging play/record when you feel you can get it.Use the Undo if you miss on your attempt. Just dont over do it, especially on side by side sections, which leads to overlapping In/Out points.
Rather than heavily punching in/out over top of previous takes on the same virtual, I now more often do multiple takes on virtuals 1,2,3 ...and then take the time to, with the help of the A/B Repeat points, assemble a track by COPYing sections to v8. In the end it doesn't take much more time as you are not fiddling with setting IN/Out points/rehearsingu/undo etc. Also you get to hear various performances of sections against each other and then making choices based upon the feel as well as correctness. the assembled track can benefit greatly from such approach. When Working in Protools this approach is conveniently achieved using Playlist mode on your track. But In the AW it is a bit more old school copy/paste assembly but worth the effort IMHO. And the disappearing track phenom is not an issue.
If your project is recorded to a click, editing is easier too, as for e.g., a bad note or flub on beats 3&4 of bar ?? can be easily replaced with the same notes found in a different bar. Just copy over top of the bad notes ( just as you would record over top of them with a punch in ). Very clean with no tics or artifacts usually. Even if you are not using a click, a note or short passage can often be fixed this way, but you would rely on time numbers/jog wheel to set parameters of the copy. It is more hit and miss if the tempo has changed within the performance ( and it will without a click!!) When the passage to be fixed is longer ( a whole phrase over several bars) becomes more obviously shorter or longer because of tempo variance. A good reason to use a click on your bed tracks.
Hope you post your song when you get it done!!
_________________ Byron
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