RZ wrote:
Once you create a master scene (everything set to flat responses), you can call that up for your new song. Just remember that once you begin tweaking things (ie: fx, pan, reverb etc) save as a new scene and name it for the current song. Then for every tweak, I like to save the new song scene as I go.
As Ron suggests - save scenes regularly as you work. A really good habit ( which i often forget to do as often as I should!!)
The scene button takes you to the library of scenes you create along the way. BUT -- Every time you start a new Song (new Project), the scene library from the previous song disappears. That library will will reappear when you reload that previous song -- but a new song starts with a clean slate in the Scene Library. One exception is a protected scene that appears in all newly created song projects, called Initial Settings. When you recall that scene everything is set to flat and all the volumes are set to zero.. Then it becomes a matter of raising faders and turning on the inputs and track channels you want to use.
If you do want to make a master scene of your own, such as Ron suggests, you would need to create it in a song, and then when you start a new song import the scenes from the song you are leaving into the new song. You are given a window allowing you to do this, as you create that new song. The problem here though is that all the other scenes you created while working along with the first song will also go to the new song. They won't have utility in that new song though. so I have found that using the Initial Setting scene is the best way to start -- then lift the volumes and do the ON for the needed channels. And make a scene for that and work on from there.
If you are working on a G or a 1600 and using scenes, make sure you look at the Fader screen, shown using the View button. That screen shows the actual volume settings, which sometimes differ from the slider placements. You have to slide the hardware fader past the level shown on the (virtual) Fader screen, in order for the hardware fader to "pick up" the setting, and then that real fader is able to adjust the volumes, at least until another scene is called that may again differentiate the virtual setting on the screen from the physical slider placement. This becomes an issue sometimes when you try to use the Tempo Map to "automate" during a mixdown. 2400 users and 4416 users avoid this because there is automix on those machines.